Author Jennifer Delamere won praise writing inspirational Victorian in the general market before signing with a Christian publisher. Her debut book for the Christian market is The Captain’s Daughter (Bethany House). Nate Moran is counting the days until he can rejoin his regiment–but then he meets a beautiful woman in the very place Nate can’t wait to leave behind. In this interview, Jennifer shares why she sets her novels in Victorian England, how she researches her books, and what readers can expect from the London Beginnings series…

Your books are set in Victorian England. Why did you choose to write about this time and place?

I love the Victorians! People often think of them as stodgy and repressed, but the more I’ve read about them, I think a better description of them is energetic, inquiring, and multitalented. Their industry and inventiveness was incredible. They gave us much of the world we know today.

While writing The Captain’s Daughter, I enjoyed pondering the events that would have taken place during the timeline of my characters’ lives. When they were born in the 1850s, the railways, telegraph, and photography were still new.

By 1879, when the book takes place, telephones and electric lights were just becoming established. In the not-too-distant future would come the use of bicycles as common transportation and the invention of the motorcar. Even the London Underground, which we think of as a modern invention, was already running and had several lines.

Career choices for women were opening up too, which I will explore in this series. I hope to take people beyond the stereotypical view of the Victorians and show how they were like us in so many ways. One parallel is that they had to grapple with how the world around them was constantly changing, just as we do today.

What was your inspiration for the London Beginnings series?

My primary inspiration came from reading a biography of George Müller, who opened an orphanage in Bristol, England, in the 1840s. He never solicited donations or money; he was a man of fervent prayer and believed God would always provide.

In time his work grew, along with the buildings, until by the end of the century the orphanage was caring for over 2,000 children! Supported only by faith and prayer, they provided a tangible example of God’s faithfulness to answer prayer and care for His people.

I began to wonder what a person would be like who had been raised in this atmosphere of always trusting God and looking to Him to meet every need. When they went out into the world as adults, how would they respond to life’s challenges? That’s when the idea for this series was born.

It follows three sisters who were raised in Müller’s orphanage. They each come to London to begin a new life, and each will find their trust in God tested and strengthened by the obstacles they must overcome.

How do you research your books?

My goal for research is to be able to bring the world of my stories to life for the reader in a vivid way. So I pursue lots of different avenues, including unconventional methods that might not initially come to mind when one thinks of research. First, of course, is the reading—but I don’t confine myself to books written about the era.

I utilize many primary sources, such as the books, diaries, and newspapers written during the time period I am researching. Many of these are digitized and easy to find online. I have delved into primary sources on all sorts of subjects, from travel guides to court transcripts to home medicine.

But research is more than reading! I make every effort to incorporate all of the five senses when doing research. Because The Captain’s Daughter is set backstage at the original production of the comic operetta HMS Pinafore, I spent an afternoon backstage at a local production of that very show.

I observed the singers’ vocal warm-ups, the handling of props and scene changes, and experienced firsthand what it was like to watch a performance from backstage—something Rosalyn does many times in the book. This gave me the flavor of theater life and generated lots of ideas for the story. I researched fiddle playing too, since Nate, the hero of the book, plays that instrument.

I watched online videos to hear the music as well as to watch the performer’s body movements and facial expressions. I even found a violinist who was willing to spend an hour with me, answering specific questions and allowing me to try out the instrument for myself.

I was also fortunate enough to go to Bristol and see the buildings that housed George Müller’s orphanage, where Rosalyn and her sisters were raised. At the Müller Charitable Trust, I spent several hours thumbing through extensive photo albums and chatting with the overseer of the museum about what everyday life at the orphanage was like.

These are just a few of the ways I was able to use research in order to draw closer to my characters and better understand the world they inhabited.

What made you choose the original production of HMS Pinafore as the background for your story?

When I was twelve years old, my parents took me to see a Gilbert and Sullivan operetta, and I have been a big fan ever since. The shows are funny, and the music is gorgeous, with many irresistibly catchy songs. They poke gentle fun at English society and the customs of their time (the late 1800s), and yet they are still fresh and popular today. A few years ago, I saw a movie called Topsy-Turvy, which spurred my interest to learn more about the lives of Gilbert and Sullivan and how their operettas came to be written and produced.

As I read their biographies and learned more about Victorian theater, I knew this was something I wanted to write about. In The Captain’s Daughter, I was able to incorporate two of Gilbert and Sullivan’s most popular operettas, HMS Pinafore and The Pirates of Penzance (my personal favorite). I hope it will give my readers a taste of how delightful these shows are and spur them to see a production someday.

Why can readers expect from the London Beginnings series?

A theme that runs through my books is that with God there can always be a new beginning. Mistakes or events in the past don’t have to prevent us from forging a new future. This series follows the lives of three sisters who each come to London independently in order to find a new life. Although events don’t take them in the direction they’d planned, each sister finds a new beginning that is even more satisfying than she’d imagined.

The series explores many fascinating aspects of London life in the 1880s, including the theater, the burgeoning art scene, and expanding opportunities for women. The next book in the series, The Heart’s Appeal, focuses on Julia Bernay and her goal of becoming a licensed physician—a career that had only just become available for women at that time.

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About The Author

Jennifer Delamere's debut Victorian romance, An Heiress at Heart, was a 2013 RITA Award finalist in the inspirational category. Her follow-up novel, A Lady Most Lovely, received a starred review from Publishers Weekly and the Maggie Award for Excellence from Georgia Romance Writers. Jennifer earned a BA in English from McGill University in Montreal, where she became fluent in French and developed an abiding passion for winter sports. She's been an editor of nonfiction and educational materials for nearly two decades, and lives in North Carolina with her husband.